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Fake It 'Til You Make It: A Robot's Guide to Feeling the Music
We musicians are first and foremost performers. Our job is to provide a service for an audience, and if we strive to have repeat listeners, to provide an excellent service that keeps them coming back for more. But what makes a good performance? What makes anything "good"? Can a concept as nebulous as "good" be defined with any degree of objectivity? What are the ramifications of defining the "good/bad" dynamic, or denying the idea of an objective good? Such topics are of prof
Diego Stine
4 days ago6 min read
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